Las Peñas Traditional Neighborhood &amp; Lookout

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Places to visit within 30 km.

Beer Museum

History Inaugurated on July 27, 2009, as a space dedicated to culture and tourism, the museum is located on the banks of the Guayas River, in Puerto Santa Ana, in the same place where the Cervecería Nacional operated since 1887, the year in which the first beer manufactured in Guayaquil was sold and in which the company began its operations as an ice and beer factory. The 70-square-meter museum displays, in three display cases, an investigation carried out by the Guayaquil historian Jenny Estrada, who narrates the 10,000 years of beer history in the world and the more than 100 years of this drink in Guayaquil, which is an iconic product. of the culture and life of Guayaquil, which transformed his working life, since it not only changed the habit of consuming imported beverages but also created jobs. Attractions Miniature figures made of resin, which recreate scenes of how beer was made and transported. In addition to relics, examples of packaging, photographs, recognitions, documents related to beer and a historical review of the Cervecería Nacional, it began operations as an ice and beer factory. Schedule Wednesday to Saturday: 10:00 a.m. to 1:00 p.m., 2:00 p.m. to 5:00 p.m.; Sundays: 10:00 a.m. to 3:00 p.m. Entry Free

0.16 Km.

Museum of Popular Music Julio Jaramillo

History Inaugurated on March 1, 2008, sponsored and supported by the Municipality of Guayaquil, it bears the name of Julio Jaramillo, in honor of that Guayaquil singer popularly known as "Jota Jota" or "Ruiseñor de América", considered the best popular Ecuadorian singer. of all times and a symbol in national music. Its objective is to preserve, enrich and spread our musical heritage to new generations. In the museum, a review is made of more than a century of history of outstanding Ecuadorian authors, composers and promoters. The historical journey goes from 1892, when the first school of music was founded in Guayaquil, to 1978, the year of Julio Jaramillo's death. It also includes a historical vision of the phonographic industry in Ecuador and the world, rescuing the contribution of the pioneers of local broadcasting and the national recording industry. Attractions Black and white photographs, record covers, magazines, jukeboxes, cassettes, sheet music, clothing, musical instruments and sound equipment from ancient to modern times. In addition, objects are exhibited such as: large black and white photographs, garments and scores dating from 1892 and that belonged to the first School of Music of Guayaquil that professionalized several musicians who were initially forged empirically. Also attractive are the recreations in statues of the musicians popularly known as "lizardmen" and who gave the traditional serenades below the balconies of the old Guayaquil houses, as well as recognized bars such as La Lagartera and El Fortich that were very crowded in decades. past. Among the gigantographs on display, one stands out that corresponds to the first orchestra of the Philanthropic Society, created in 1910 by maestro Claudio Roza, a group that composed a hymn and a martial music for the former president of Ecuador, General Eloy Alfaro Delgado. In this band, the musician Nicolás Mestanza Álava, popularly known as "Niño Prodigio", stood out in a special way, and this is how the museum highlights it, because being a minor, he became the director of the orchestra. Among the photos, the one of the trip to New York in 1930, of the famous group Ecuador made up of Nicasio Safadi and Enrique Ibáñez, who together with the musical promoter Domingo Feraud Guzmán, came to the Columbia Records studios to record, stands out for its historical value. , in addition to several songs, the traditional aisle "Guayaquil de mis Amores", converted into a popular anthem of the city. Another striking photograph is that of the "American Park" park, owned by the Guayaquil businessman Rodolfo Baquerizo Moreno, which between the 1940s and 1950s was the fashionable place and, in addition to being a sports and recreational entertainment site, carried out the traditional dances with the best national and international orchestras. Regarding the history of the Ecuadorian phonographic industry, which had the "Ifesa" company as an icon for being the first to manufacture records, the first record of 78 revolutions per minute is exhibited, which was recorded, pressed and marketed in the country and that brought the theme "En la Lejanía", a corridor composed in its music by the musical icon of Guayaquil, Carlos Rubira Infante and written by Wenceslao Pareja. In this environment, the original scores and records from the corridors “Ensueño Romántico”, “De Corazón a Corazón” and “Almosna de Amor” also stand out, sung by the Ecuadorian Duo and recorded on their unprecedented trip to New York. Among the sound equipment, located in a special showcase, located in the first room, in a wooden corridor that emulates the floors of the old houses of Guayaquil, are exhibited: a gramophone with the photo of its inventor, the German Emile Berliner and a phonograph, mechanical equipment invented by Tomás Alva Edison in 1877, of which it is known, is the first to emit sounds recorded by means of cylinders made of wax, which were the predecessors of the so-called flat discs that Berliner later manufactured, using zinc, slate and other materials that allowed better quality sounds to be reproduced. There are also the classic jukeboxes and jukeboxes, so popular in the 1950s and 1970s, and now considered relics. Among the photographs, one of the so-called "Estudiantinas" stands out, which were female musical groups, which imposed a fashion at the beginning of the 20th century, for playing unconventional string instruments such as bandurrias, mandolins, lyres, in addition to classic guitars. There is also a special chapter for Julio Jaramillo in which there is a wax statue and a bust with his image, photographs, clothes, records, covers, newspaper clippings and more articles related to him. Among the articles, there is a recreation of a child making shoes, alluding to Julio Jaramillo's first job, before devoting himself entirely to music, and a painting based on a photograph taken by the singer together with several important characters, such as the famous Ecuadorian actor Ernesto Albán, who immortalized the character of "Don Evaristo", a popular character from the mountains, who criticized the social, political, and costumbrista aspects of the country; radio broadcaster Carlos Armando Romero Rodas, one of the biggest promoters of the career of "Jota Jota" and other musicians, taken in the well-known bar "Rincón de Los Artistas" that was the meeting point of the Buenos Aires bohemia. Services The museum has an auditorium (multiple room) for 120 people, equipped with technological resources for audiovisual projections and special programs that put the public in contact with popular musicians. In this space, which bears the name of the immortal composer Nicasio Safadi Reves, the Corridor School works, dedicated to encouraging the talent of young performers and future national composers. The main chairs are in charge of consecrated values of Ecuadorian music, such as teachers Carlos Rubira Infante, Fresia Saavedra, Naldo Campos, among others. Schedule Wednesday to Saturday: 10:00 a.m. to 1:00 p.m., 2:00 p.m. to 5:00 p.m.; Sundays: 10:00 a.m. to 3:00 p.m. Entry Free

0.16 Km.

Shipyard Equipment Museum: Barcelona and Emelec

History The museums pay homage to the two most popular sports clubs and soccer teams in Guayaquil, Barcelona and Emelec, born in the late 1920s, in the so-called “Barrio del Astillero”, hence its name, which was the place where River boats were built. The Barcelona museum, inaugurated on July 9, 2013, pays tribute to the most popular soccer team in the country, which was founded on Friday, May 1, 1925 by Spanish and Ecuadorian businessmen in the home of the Catalan Eutimio Pérez. This club is the one that has won the title of Ecuadorian professional soccer champion the most times (14) (from 1957 to 2014) and has twice been runner-up in the Copa Libertadores de América (1990 and 2008). Emelec is a club born in the Empresa Eléctrica del Ecuador, which was founded on April 28, 1929 by the American George Capwell. He holds the title of national soccer champion 10 times. Currently the museum of this institution is in the process of being remodeled. Attractions The Barcelona museum exhibits: team jerseys, photographs, posters and legendary videos of players, plays, important matches, a scale model of the stadium, clothing and shoes belonging to leading players of the team, trophies, plaques, balls. For the exhibition of videos, there is a three-screen cinema. Schedule Wednesday to Saturday: 10:00 a.m. to 1:00 p.m., 2:00 p.m. to 5:00 p.m.; Sundays: 10:00 a.m. to 3:00 p.m. Entry Free

0.17 Km.

Anthropological Museum of Contemporary Art (MAAC)

History The Anthropological and Contemporary Art Museum, also known by its acronym MAAC, is part of the Simón Bolívar Cultural Center, inaugurated on July 30, 2003, whose extension covers more than 10,000 square meters of surface. The objective of this museum is to reinforce the institutional cultural heritage of the city with collections from aboriginal and modern times. In a complementary task, the MAAC also offers many integrated programs that include exhibitions, conferences, forums, film projections, scenic art, an auditorium for 400 people and an esplanade for outdoor shows, with which it fulfills the purpose of promoting heritage. culture at the service of the country's development. Its history dates back to the 1950s when archaeological investigations were carried out on the Ecuadorian coast that brought to light a series of discoveries of pieces of great historical and archaeological value. At that time, the Central Bank of Ecuador decided to create a museum in Guayaquil that was born with the name of "Archaeological, Ethnographic and Modern Latin American Art Museum" that was located in the old Central Bank building on Pichincha Avenue. In 1974 Dr. Olaf Holm was appointed as director of the museum, who organized and increased the archaeological and art collections. In 1980 the museum changed its name to "Anthropological Museum of the Central Bank of Ecuador" operating in a new location located on boulevard 9 de Octubre and José de Antepara street. In 2004 it was opened to the public as the Anthropological Museum of Contemporary Art "MAAC" and in 2009 the name "Libertador Simón Bolívar" Cultural Center was assigned to the complex made up of the Anthropological and Contemporary Art Museum, specialized library, documentary center, auditorium and workshops. That same year, through a General Provision in the Reform Law of the Monetary Regime and State Bank Law, it was established that the cultural areas of the Central Bank of Ecuador pass to the Ministry of Culture, an action that took place on October 1, 2010. Currently MAAC is part of the Network of National Museums of the Ministry of Culture of Ecuador Attractions It is a site rich in art and culture in which the ancestral wealth of the Pre-Columbian era of Ecuador is exposed. The exhibition includes a collection of 50,000 native Ecuadorian archaeological pieces from the pre-Columbian era of the Ecuadorian coast between the year 8,000 B.C. and 1400 A.D. In addition to another collection with more than 3,400 modern works of art. Its building has an architectural design that takes as a conceptual reference one of the fundamental creations of the cultural process of the Ecuadorian coast, such as a Manteña-Huancavilca raft, a pre-Columbian vessel, typical of the ancestral indigenous culture of Guayaquil. On its façade it presents a mural by the painter Manuel Rendón Seminario, whose original design was made in pastel chalk. It also offers permanent exhibitions of archeology and history of Ecuador, as well as contemporary art galleries and a small bookstore of national authors. Its auditorium is frequently used for cultural events such as concerts, conferences and a movie theater. Its terrace is an open-air stage for artistic events. Services The Libertador Simón Bolívar Cultural Center, in addition to the museum, offers: six exhibition rooms, three video art rooms, a lobby and a cafeteria area for conferences, concerts, meetings, among other cultural activities; an auditorium with capacity for 350 people in which the MAAC Cine project is developed, as well as academic and artistic activities; three workshops in which educational courses and programs are held for children, youth and adults; a library with complete and specialized information on anthropology, history and art with more than 20,000 publications; a Documentation Center that offers a system with digital technology that allows access to cultural collections with a small auditorium or area for workshops and meetings; and a bookstore that is a point of exhibition and sale of publications. Schedule Tuesday to Friday from 9:00 a.m. to 4:30 p.m. - Saturdays and Sundays from 10:00 a.m. to 5:00 p.m. - Holidays from 10:00 a.m. to 4:00 p.m. Entry Free

0.30 Km.

Naval Museum El Fortín del Cerro Santa Ana

History The Naval Museum "Fortín del Cerro Santa Ana", built in 2002 and inaugurated on October 31, 2003, was created by the Fundación Ecuatoriana del Mar (Fundemar) in agreement with the Municipality of Guayaquil and the Fundación Siglo XXI to highlight the importance of maritime activity in this city - port, which since its inception has the Guayas River, the main communication channel to establish trade, thus contributing to the progress of the city. This open-air museum is located in the old settlement of "Fort de la Polvorosa" on Santa Ana hill, which served in colonial times for the surveillance and defense of the city, against pirate attacks, due to its privileged location since the top of the hill; and that until a few years ago was used to fire cannon salvos, in the National Holidays, as part of this naval history, the museum recognizes four of the country's naval forgers, with their respective busts, such as: Captain of Frigate Rafael Morán Valverde, Captain Rafael Andrade Lalama, Division General Thomas Charles Wright Montgomery and Admiral Juan Illingworth Hunt. Attractions The museum contains 21 objects dating from the 16th century and others from the modern era, up to the 20th century. Among the relic pieces, there are replicas of the most representative ships of our maritime tradition, which were old wooden ships built in Guayaquil shipyards, such as the reproduction of the bow 'Jesús, María de la Limpia y Pura Concepción de Nuestra Señora' (1544 -1654), built for the King of Spain; the replica of the stern of the Capitana and the anchor that belonged to the Cotopaxi cruiser that was later baptized as Cañonero Calderón, the largest and most imposing galleon built in the Spanish colonies of South America and in which helicopters were used for its placement. Among the navigation instruments, there is a nautical astrolabe, used to observe the height, place and movements of the stars and to orient oneself in the sea; and others to deduce the latitude of the ship at sea, the quadrant, to locate the latitude of a ship at sea; a pressure gauge, the crossbow, to calculate the height of the North Star; the sundial that, through a gnomon or horizontal bar, marks the hours according to the inclination of the shadows; a Swedish-made lantern that was used as a lighthouse from 1950 to 1970 along the coast and the Galapagos Islands; as well as, anchors, a telegraph and a searchlight. There are also weapons and cannons (some original and others replicas), which were part of the armament used in the 16th and 18th centuries for our defense, such as a 3,480-pound cannon and 30-pound ammunition, built in 1865; another built in 1709, the Calderón gunboat that entered the service of the Navy in 1886 and a cannon mounted on wooden wheels built in 1875. There are also vestiges of the remains of the foundations of the fort, also called "La Polvorosa" which was founded in 1629 and considered the only military defense of Guayaquil against pirate attacks. In addition, in the central courtyard of the museum there is a sundial. Schedule Monday to Friday from 08:30 a.m. to 10:00 p.m. Saturdays and Sundays from 08:30 to 24:00. Entry Free

0.69 Km.

National Cocoa Museum

The National Cocoa Museum has 14 rooms which show the origin of cocoa, its regional exchange thanks to the natural passages between the coast, the Andes mountain range and the Amazon. Later, its presence in Mexico more than 3,500 years ago until the 17th century with the Paches and Guancavilcas navigators, where it was processed as chocolate, being considered a drink for the populations of Mesoamerica. The discovery of cocoa by the Spaniards in Pre-Hispanic America, the raft as a means of transporting cocoa across America, the commercial activity of cocoa in Colonial Guayaquil, the looting of the city by legendary English and Dutch corsairs in the years 1687 and 1709 as well as its consequent commercial affectation. Another unmissable experience is the 350° virtual tour of a fine aroma cocoa farm in Ecuador where you can learn about the cultivation process from its birth in the nursery. An issue to highlight is also the valorization of the montuvio as the natural son of cocoa, which contributed to Guayaquil standing out as the world capital of cocoa. The history of the "Gran Cacao" considered as influential groups of approximately 20 families that own 70% of the fine and aroma cocoa farms is part of the tour of the National Cocoa Museum which manages to combine with the historic Panama Street. Schedule Tuesday to Sunday from 10:00 a.m. to 5:00 p.m. The cocoa crisis with the presence of diseases in the plantations such as "the monilia" in 1916, "the witch's broom" in 1917 and the total desolation in 1940. Finally, its resurgence through the technical-scientific work of Homero Castro Zurita who successfully cloned hybrids of cocoa varieties from the Amazon with others from Trinidad and Tobago which he called CCN-51. The National Cocoa Museum has 14 rooms which show the origin of cocoa, its regional exchange thanks to the natural passages between the coast, the Andes mountain range and the Amazon. Later, its presence in Mexico more than 3,500 years ago until the 17th century with the Paches and Guancavilcas navigators, where it was processed as chocolate, being considered a drink for the populations of Mesoamerica. The discovery of cocoa by the Spaniards in Pre-Hispanic America, the raft as a means of transporting cocoa across America, the commercial activity of cocoa in Colonial Guayaquil, the looting of the city by legendary English and Dutch corsairs in the years 1687 and 1709 as well as its consequent commercial affectation. Another unmissable experience is the 350° virtual tour of a fine aroma cocoa farm in Ecuador where you can learn about the cultivation process from its birth in the nursery. An issue to highlight is also the valorization of the montuvio as the natural son of cocoa, which contributed to Guayaquil standing out as the world capital of cocoa. The history of the "Gran Cacao" considered as influential groups of approximately 20 families that own 70% of the fine and aroma cocoa farms is part of the tour of the National Cocoa Museum which manages to combine with the historic Panama Street. The cocoa crisis with the presence of diseases in the plantations such as "the monilia" in 1916, "the witch's broom" in 1917 and the total desolation in 1940. Finally, its resurgence through the technical-scientific work of Homero Castro Zurita who successfully cloned hybrids of cocoa varieties from the Amazon with others from Trinidad and Tobago which he called CCN-51.

0.76 Km.