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Ancestral Pottery Workshop by Encalada & Sons

Interest:Culture Type : Manufacturing Industry Friendly with: children, families, seniors, disabled Relevant categories: Historic Center of Cuenca, Cultural Heritage of Humanity UNESCO - Within the Macizo del Cajas Biosphere Reserve UNESCO - Within Cuenca, National Cultural Heritage of Ecuador Hours : Monday to Sunday 08:00 - 18:00. Variable hours on holidays. The Ivan Encalada Pottery Workshop is the heritage of a pottery tradition that is located in the district of La Convención del 45, a typical place in Cuenca (Ecuador) for its craftsmen dedicated to pottery. The tradition was started in 1962 by his father José Encalada, when he opened the business that has always been located in Mariscal Lamar Street, in the family's house. José started his pottery apprenticeship in 1948. His teachers were Juan Arias and Miguel Pacheco. He needed to learn a trade to make a living. His son Ivan has become, over the years, his best student and assistant. The Encalada family home is also a centre for displaying the products and works of Ivan and Jose, utilitarian objects such as jugs, glasses, plates and pots or pieces of undeniable artistic value. It is also a museum-workshop to observe first-hand the work of the master potters on a standing lathe or to learn the elaboration of ceramics by means of the ancestral "black" technique, of millenary Cañari (a pre-Inca culture) roots. For José Encalada, the support of all his family has been important for the maintenance of the workshop. His wife Yolanda Arias and his daughters and sons have taken part in this project. Father and son are constantly concerned about the fate of the trade. That is why they have thought it convenient to teach the public the process of producing a ceramic object. On the other hand, they have had the initiative and have participated in organizational processes and in the aggregation of the potters of the neighborhood, with the foundation of the Guild of Potters and Ceramists, with the objective that this activity is not lost. Another space that gives identity to the sector is the Casa del Alfarero, managed by the Municipality of Cuenca as a Cultural Center and a place for community meetings and the people of the neighborhood. The neighborhood of The Convention of '45 was created during the course of the 19th century, as an artisan's neighborhood. It was one of the multiple dismemberments of San Sebastian, one of the 3 great parishes that Cuenca had after its foundation, besides El Sagrario and San Blas.

1.56 Km.

San Joaquin's Traditional Grilled Meat

San Joaquín, rural parish to the west of Cuenca. Famous for its typical food restaurants and its production of vegetables in small private gardens. On weekends it is a tradition for families in Cuenca to eat "San Joaquin's meat" for lunch. In the Cristo del Consuelo and Cruz Verde neighborhoods there are about ten gastronomic enterprises. Their owners have inherited them for three generations. The custom of roasting meat began in San Joaquín at the end of the 1960s. Many of these places have been operating for half a century. They all offer the same thing. The difference is made by the recipes, which have been passed down from father to son, and the decoration of the premises, which generate welcoming cultural microenvironments. The basis for the preparation of dishes is beef or pork jerky. Cecina consists of a fine cut of seasoned meat. Every restaurant has its secret, but basically this dressing contains salt, onion, garlic, coriander and parsley. The seasoned cecina is left to stand and then fried. There is a variety of accompaniments, according to the taste of the diners. The main one is mote, or cooked corn. It has two variants: the mote pillo (scrambled in egg) and the mote sucio (scrambled in pig fat). Other accompaniments can be the salad or the potato tortilla known locally as "llapingacho". A different dish, as a starter, is the papas con cuero, a kind of soup, which is called "papas locas". More options: beans with cheese, tamales, chicken broth, corn on the cob or "choclo" with cheese. Drinks to choose from. While having lunch, people can observe the vegetable and flower crops. San Joaquin has an agricultural vocation. It is the garden of Cuenca and mainly provides cabbage to nearby cities like the populous Guayaquil. Large-scale demand dates back to 1972, with the support of the United States Peace Corps and CREA. San Joaquin has existed as a rural parish in Cuenca since December 28, 1944. Its main handicraft production is baskets woven with vegetable fibers from the zuro and the duda. Other products that the craftsmen make with this raw material are diaper bags, souvenirs, blowers, ornaments, among others. There are at least 16 workshops that generate local employment.

2.18 Km.

Metal Embossing Workshop by Carlos Bustos

The Carlos Bustos Embossing Workshop is located in the urban parish of San Sebastian, just a few steps from the main square of the main historical sector of the city of Cuenca (UNESCO World Heritage Site). In this section of Coronel Tálbot Street it seems that time has stopped. Low houses, made of adobe (a clay-based building material), many of which remind us of the city of yesteryear. In this workshop, with the craft technique of embossing, they work on sheets of different types of soft metals, leather or other ductile raw materials, in order to achieve reproductions of images in relief. Carlos Bustos comes from a family of tinsmith artisans. His father and brother were dedicated to this trade. But he, 40 years ago, decided to go his own way. He was a student of the artist Edgar Carrasco, from whom he learned the basics of art and working with metals. When he gained experience, he decided to open his own workshop. The work begins with drawing what he wants to do. Then with his hands and a lot of care, he uses simple tools to do his job, such as screwdrivers transformed into profilers, hammers, brushes, rollers. An embosser resorts to the technique of the "negative", by means of which, with the forms drawn backwards of the plate of chosen material, that settles on a soft surface and little by little, by means of a progressive deformation of the worked surface, the relief is obtained. Finally, he turns the piece over and outlines the details to define the shapes. Bustos is a tireless creator and owner of infinite patience. In his workshop the most varied objects are exhibited, well decorated: crosses, paintings, masks, lamps, lanterns, candlesticks, animal figures, mirror frames, among others. His favorite materials, because of their low cost, are aluminum, brass and tin. The prices of his embossings vary according to the time it took him to make them and their size. The visitor can ask for a test of skill in this place: to make his own embossing. If you are in a hurry to visit Cuenca, you might miss this charming place. Attention to detail is necessary, as the workshop is small and can go unnoticed between the Museum of Modern Art and the staircase leading down to the Plaza del Otorongo.

2.62 Km.

Modern Art Municipal Museum (MMAM)

The Municipal Museum of Modern Art (MMAM), has a prestigious and solid cultural background. It is located in the Historical Center of Cuenca (Ecuador), a UNESCO World Heritage city. The Museum temporarily exhibits modern art works by contemporary national and foreign artists. The rooms of the Museum are permanent headquarters of the International Art Biennial. Its reserve holds a large pictorial collection, which has been growing for 40 years. In addition, the Museum runs a program of activities and dissemination of art, dedicated to children, youth and older adults. The Museum was inaugurated on August 1, 1981. It was Hernán Crespo's initiative to recover the house from its destruction and restore it. The history of its use over the years is curious. Bishop Miguel León ordered its construction in the 19th century, as a refuge for alcoholics or "Casa de la Temperancia” (House of Temperance). It later served as a men's prison, nursing home, children's home, work school, and health center. The architecture of the building is old, with institutional purposes. Its doorway is in the neo-Gothic style. The interior is organized around an old chapel, in the center of the Museum. Around it there are several courtyards with portals. The chapel has a mural painting by Nicolás Vivar where a large painting with the parable of the prodigal son stands out. The First International Painting Biennial of Cuenca was inaugurated in 1987 in the Museum of Modern Art. It was conducted by Eudoxia Estrella, the first director of the MMAM. The Museum has an Art Reserve. It offers the service of workshops. The Information Office displays a collection of posters of the exhibitions held and the library specializes in art.

2.62 Km.

San Sebastian Craft Beer Brewery

The beer culture of Belgium has its sanctuary in Cuenca, Ecuador. A small establishment in the San Sebastian Park, is cozy and ideal for a refreshing beer or fast food: "Jodoco Belgian Bistro". The place is the result of a dream. The Ecuadorian-Belgian couple formed by Paola and Carlos arrived in Cuenca in 2012 and set up the tavern. They sell handcrafted beer made by the brand Derijcke Cerveceria following Belgian recipes. The name of the bistro and beer bar is a tribute to Fray Jodoco Ricke, a Franciscan religious of Flemish origin, founder of the Escuela Quiteña de arte. He built the Convent and Church of San Francisco, created the San Andrés School of Arts and Crafts and planted wheat for the first time in South America. He started the first brewery in Latin America. He arrived in Quito in December 1535. The traditional drink of Belgium is beer. Jodoco Bistro, located in a historical and pleasant environment, invites you to discover flavors and atmospheres from the other side of the Atlantic. Its tables are located overlooking the park and the church of San Sebastian. It is a bohemian place, with surprising culinary wonders: the cheese or meat tapas. San Sebastian Square is characterized by its tourist development with the Museum of Modern Art, the Larrazábal Gallery and service places such as restaurants and hotels. It also has a place in the history of Cuenca. In 1739 Jean Seniergues, a doctor from the French Geodesic Mission, was lynched there. In 1820, the patriots of Cuenca who rose up against Spanish rule on November 3rd retreated there. An artisan beer is brewed with its own recipe by a master brewer. That's why it has a different taste to the industrial one. Of limited production, it pays attention to flavors and textures. It does not contain artificial elements, the fermentation is natural and the flavors are the result of the mixture of water, malt, hops and yeast; fruits, spices and herbs can be added. Flavor combinations depend on consumer requirements. It offers quality, diversity and personal attention.

2.62 Km.

San Sebastian Church & Square

The church and square of San Sebastian constitute the western limit of the Historical Center of Cuenca (World Cultural Heritage Site by UNESCO). They are the main points of the historic neighborhood of the same name, in the urban parish of San Sebastian. The San Sebastian neighborhood is traditionally full of popular trades: pottery, tailoring, carpentry, tile-making, buttonhole making, painting. Tourism has a remarkable development with hotels, restaurants and cafeterias installed in heritage houses. The charm of its church, the park and an intense cultural life due to the presence of the Museum of Modern Art are the main attractions. There are craft workshops such as the embossing workshop of the master Carlos Bustos, several craft shops and bakeries. Recently, in a corner of the park, there is a restaurant owned by a Cuenca-Belgian couple that offers beer produced in the town. Every year, on December 24th, the "Pase del Nino Viajero" (The Traveler Baby Jesus), a traditional parade celebrating the birth of Jesus, starts from San Sebastian. The church, on the outside, has a single tower that dominates the facade. This is an unusual feature in religious architecture. Its main door is made of carved wood, with reliefs of the Bible's testaments. A large dome also stands out in the structure of the church. The interior of the Catholic temple is divided into three naves, separated by wooden columns. The space is quite sober, without as much detail or decoration as in other similar buildings in the city of Cuenca. On the corner of a small square in front of the temple's facade, at the intersection of Calle Bolívar and Calle Coronel Tálbot, stands the Cross of San Sebastián. Formerly this cross was the mark of the end of the city and the departure point towards the west. There are news of the church and its corresponding sector since the first years of Cuenca's foundation. It was a hermitage or small church of Fabián and Sebastián, saints and martyrs. As the centuries passed, the name of Fabián was abandoned, leaving San Sebastián as a traditional "Indian parish". Racial and social separation established by the Spanish colonizers to name a place that concentrated humble but necessary trades for daily life. The San Sebastian park is located next to the church. It has an ornamental pool and an interesting variety of trees and plants. The park is ideal for short walks, to rest and breathe fresh air. In its centre is the bust of the poet Miguel Moreno. In front of the park, on the opposite side of the church, is the Museum of Modern Art. Two historical events took place in San Sebastian Park. The first was the murder of the doctor Juan Seniergues, a member of the French Geodesic Mission (a scientific mission to measure Earth’s circumference), in 1739, during a bullfight. The second event are the first football matches in Cuenca, which were played there at the beginning of the 20th century. The geometric layout of the square, which has Renaissance influence with parterre gardens in the Versailles style, is attributed to Octavio Cordero Palacios.

2.63 Km.