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San Luis Seminary

Tourist attractions in Ecuador

San Luis Seminary

San Luis Seminary

August 3, 2022
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Calles Benigno Malo y Simón Bolívar
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Santa Ana Colonial Street
cultural

Santa Ana Colonial Street

Santa Ana Street, flanked in all its extension by the moles of the New Cathedral and the old Seminary, is the exact point where the city of Cuenca began its development, half a century ago. On the 12th of April 1557, a small group of 30 people, gathered in what was the only street of the place, next to an irrigation channel, solemnly founded the city, which is now a World Cultural Heritage Site. Unfortunately, the memory of the street fell asleep. The space of this one was occupied during decades for other tasks. Abusive characters ended up walled up by means of arbitrary measures and it became the extension of an educational center, during a large part of the 20th century. Fortunately for the history of the city, Santa Ana Street, named after the mother of the Virgin Mary, was rehabilitated for pedestrian traffic. It is a beautiful cobbled passage in the middle of the block, connecting from east to west Benigno Malo Street with Padre Aguirre. For the people of Cuenca, the street is a symbol of identity and of the rich heritage of the city. Reopened in 2017. Since then it has quickly become an important tourist attraction in the Historical Centre. Those who decide to walk through it must do so slowly. This is the only way to capture details such as the stained glass windows, the exposed brick or the sculptures of the New Cathedral on one side; the offers of shops, restaurants, cafes and the architecture of the old Seminary on the other side. During the restoration of the street, two archaeological windows were opened, for the observation of vestiges, like the first drains of the Cathedral or an old well. The latter was converted by the citizens into a "hole of desire". They throw inside it coins of different denominations or letters.


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Santa Ana Cathedral of Cuenca
cultural

Santa Ana Cathedral of Cuenca

It is said that the Cathedral of the Immaculate Conception, in Cuenca, Ecuador, is as big as the faith of the “Cuencanos”. It is also called the New Cathedral or simply the Cathedral. It is a catholic temple and the largest building in the city of Cuenca, which is World Cultural Heritage declared by UNESCO. Legend has it that when Bishop Miguel León ordered its construction, at the end of the 19th century, he would have expressed "I want a cathedral as big as the faith of my people". In the city of Cuenca, the third city in development of the Republic of Ecuador after Quito and Guayaquil, the religious fervor of its citizens can still be seen today. In its Historical Center more than 25 churches can be counted, sometimes up to two by each neighborhood, which is why it is also called "the city of the clergymen". The particularity of the presence of two churches in the same block or neighborhood is manifested in the Central Park of the city. In front of the New Cathedral there is the Old Cathedral. From its tower, the Franco-Spanish Geodesic Mission of the 18th century would have made the measurements that led the establishment of “metro” (meter) as a universal measure. The construction of the New Cathedral began in 1885 and ended 90 years later in 1975. It constitutes the great architectural attraction of Ecuador because of its size, at the same level as the Basilica of the National Vote in Quito city. The blueprints of the temple were designed by John Baptist Stiehle. Its two main towers have a characteristic truncated finish and one of the best panoramic views of the city. The cathedral marks the heart of Cuenca city, where 4 UNESCO’s awards coincide: the city’s historic center, the toquilla straw hat or "Panama hat" and the Camino del Inca (Inca Trail), which are World Heritages, plus the vast massif that includes the territory of the city which is a Biosphere Reserve.


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Calderon Park (Central Park) in Cuenca
cultural

Calderon Park (Central Park) in Cuenca

The Calderon Park, since the foundation of the city four and a half centuries ago, is the heart of Cuenca, the central point of its social, political and religious activities, or a silent witness to its most relevant historical events. It has been called Abdon Calderon Park since 1932, when the cast bronze statue of the "Héroe Niño" was located, which is eternally guarded by the giant Chilean araucarias, planted in 1875 by former president Luis Cordero. Its name evolved with the city, called Plaza Pública at the beginning of this one, then it became Plaza Grande or Mayor, Plaza Principal y de Armas, Plaza Vargas Torres at the beginning of the 20th century. Its benches are a meeting place for retirees, students or all kinds of walkers. It is a working place for photographers, street musicians, craftsmen, shoe shiners, newspaper and magazine sellers. Its gazebo is the stage for various cultural and political events or the secret accomplice of lovers. It is also famous for its portals that offer shelter from the rain or a hot sunny day or the design of its trees and flowers in geometric flower pots. The marble facades of the Palace of Justice and the New Cathedral stand out in the Park. Every year it is the venue for authentic popular festivals. The first established with the Cuenca Foundation is the "Septenario" in the month of June - 7 days of celebration in honour of the Body of Christ or "Corpus Christi" - which is manifested by the sale of sweets in traditional stalls on the paths around the park, fireworks called "castles" and "mad cows" or the raising of hot air balloons. Thousands of citizens gather every night, for 1 week, to watch the show. The second one is known as "El Pase del Niño Viajero", which takes place every December 24th. Center of the power, the Park in its surroundings lodges the main public buildings of political, judicial, religious, cultural and commercial institutions: the Old Cathedral, the house of the Family Ordóñez Mata, the Governor's Office of the province of the Azuay, stores Juan Eljuri, Vatex Galleries, Tosi House, the Old Seminary, the New Cathedral, the House of the Culture, the notaries, the Municipality of Cuenca, the Superior Court of Justice, BanEcuador. In recent years, the Calle Santa Ana, which is part of the original layout of the city, was reopened to tourism.


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Building of the Mayor's Office
cultural

Building of the Mayor's Office

Interest : Culture Type : Historic House Friendly to : children, families, seniors, handicapped, pets Relevant categories : Cuenca's Historic District World Cultural Site by UNESCO - Within Cajas Massif Biosphere Reserve by UNESCO - Cultural National Heritage by the Ecuadorian Government Hours : Monday to Friday 09:00 - 18:00, Saturdays 09:00 - 13:00 The building of the Mayor's Office of Cuenca belongs to the select group of patrimonial constructions that are the pride of the inhabitants of the city. Luis Donoso Barba built it for the headquarters of the Banco del Azuay, an entity that operated there from May 24, 1929 until its liquidation in 1999. Due to the façade of this building, in addition to the façades of the Superior Court of Justice, the New Cathedral and other houses in the historical center, the city is known as the "city of marble". In 2002, the Municipality of Cuenca received the building as a donation. It has an area of 2,500 m2. The ground floor is occupied by a gallery for artistic exhibitions. On the second floor there are the offices of the mayor, vice-mayor, the alternate room for the councillors, the secretary, the trade union and the financial management. The neoclassical-style building, without an internal courtyard, has spacious halls connecting various rooms. On the second floor, the brass ceiling stands out. It is undoubtedly one of the best examples of the French influence on Cuenca's architecture in the early 20th century. Its architect fulfilled the intention of its owners: to reflect greatness, luxury and economic power. The now disappeared Banco del Azuay was the first in Cuenca. Founded in 1913, in 1914 it became a pioneering entity when it printed the first Ecuadorian 1, 2, 5, 10 sucres banknotes.


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Jewelry Street in Cuenca
cultural

Jewelry Street in Cuenca

Gran Colombia Street is the center of a dynamic commercial, artisan and cultural activity in the city of Cuenca. Known as the "Jewelry Street", it is also home to a museum dedicated to the work of the goldsmiths In a few blocks, you can find shops selling ceramics, clothing, embroidery, leather goods, and crafts in general. The jewel in the crown are the enterprises dedicated to the design, elaboration and commercialization of jewelry. In just two blocks and in a few minutes, it is possible to visit at least 10 jewelry stores with objects of the highest quality made by Cuenca craftsmen. And in the surroundings there are other 10 additional points of sale. To get an overview of this artisan work, one option is to visit the Museo de la Joyería Cuencana. It has a section that recognizes the trajectory of outstanding jewelers of the city. Another section exhibits tools and techniques used by the goldsmiths. In the workshop you can appreciate the process of elaboration of the jewels. The circuit is completed with the exhibition and sale of finished products. The city's jewelers are organized in an Association, which brings together about 50 artisans. In Azuay and Cuenca, the history of jewelry making goes back thousands of years. It is a heritage of the Cañari culture. In the pre-Inca period, the notions of art were established. The Cañari tradition was fused with the knowledge of the precious metals of the Incas. Later, during three centuries, the ancestral practices were mixed with what the Spaniards knew and their methods of extraction and production. The "Calle de las Joyerías" is currently the best showcase to observe the progress and development of this Cuenca craft. Foreign techniques have allowed the industrialization of the processes. The small artisan workshops have adapted to this change. The Great Colombia, named after the ephemeral unit created by Simon Bolivar, must be walked slowly. The objective: to pay attention to details. The architecture of their houses. The options open in their shops. Today it is the backbone of the Cuenca Tramway.


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Cuenca's Flowers Market
cultural

Cuenca's Flowers Market

Buying flowers was never as beautiful as in “Plaza de las Flores” or Cuenca's Flowers Market, World Heritage Site by UNESCO, in Ecuador. It is one of the most emblematic and outstanding urban spaces of the Historic Center of that Andean city. The market is a free space for pedestrians and it is surrounded by important buildings, such as the Church of Carmen, where the Divine Traveler Child (Divino Niño Viajero) is venerated, the Convent (cloister) of Carmen and the Cathedral of the Immaculate Conception. But the real standout attraction in the Plaza is its flowers market, which makes it a charming place. In 2014, the uniqueness of the market placed it in the Top 10 of the most beautiful outdoor flowers markets in the world, denomination granted by the international magazine National Geographic. The offer that can be find here is diverse, but mostly you will find roses, orchids or lilies. There is a dozen of tents that stand out by the explosion of the colors, the variety of flowers and aromas and the kindness of its merchants. Other destinations with which the Flowers Market of Cuenca can be compared are: Marché Aux Fleur (France); the Bloemenmarkt (Netherlands); Campo Dei Fiore (Italy); The Adderley Street Flower Market (South Africa); the Phool Mandi (India); and Pak Khlong Talat (Thailand). The Carmen Church, which is part of the architectural complex of the Monastery of Carmen de la Asunción, next to the Plaza, is one of the majestic religious structures of Cuenca. It has a stone carved facade, which constitutes a magnificent example of Baroque art in the city, and inside it has a renaissance-style wooden structure, in which you can see interesting sculptures. The nuns of the cloister of the Carmen prepare medicinal drinks with flowers that are sold to the population in the stores that are next to the Market.


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