Volcanic Springs &amp; Spas at Baños of Cuenca

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Places to visit within 30 km.

San Joaquin's Traditional Grilled Meat

San Joaquín, rural parish to the west of Cuenca. Famous for its typical food restaurants and its production of vegetables in small private gardens. On weekends it is a tradition for families in Cuenca to eat "San Joaquin's meat" for lunch. In the Cristo del Consuelo and Cruz Verde neighborhoods there are about ten gastronomic enterprises. Their owners have inherited them for three generations. The custom of roasting meat began in San Joaquín at the end of the 1960s. Many of these places have been operating for half a century. They all offer the same thing. The difference is made by the recipes, which have been passed down from father to son, and the decoration of the premises, which generate welcoming cultural microenvironments. The basis for the preparation of dishes is beef or pork jerky. Cecina consists of a fine cut of seasoned meat. Every restaurant has its secret, but basically this dressing contains salt, onion, garlic, coriander and parsley. The seasoned cecina is left to stand and then fried. There is a variety of accompaniments, according to the taste of the diners. The main one is mote, or cooked corn. It has two variants: the mote pillo (scrambled in egg) and the mote sucio (scrambled in pig fat). Other accompaniments can be the salad or the potato tortilla known locally as "llapingacho". A different dish, as a starter, is the papas con cuero, a kind of soup, which is called "papas locas". More options: beans with cheese, tamales, chicken broth, corn on the cob or "choclo" with cheese. Drinks to choose from. While having lunch, people can observe the vegetable and flower crops. San Joaquin has an agricultural vocation. It is the garden of Cuenca and mainly provides cabbage to nearby cities like the populous Guayaquil. Large-scale demand dates back to 1972, with the support of the United States Peace Corps and CREA. San Joaquin has existed as a rural parish in Cuenca since December 28, 1944. Its main handicraft production is baskets woven with vegetable fibers from the zuro and the duda. Other products that the craftsmen make with this raw material are diaper bags, souvenirs, blowers, ornaments, among others. There are at least 16 workshops that generate local employment.

3.17 Km.

El Barranco (Ravine) of Tomebamba River

The Tomebamba River Ravine is the natural southern limit of the Historic Center of Cuenca (Cultural World Heritage Site by UNESCO). The ravine is part of a bio-corridor with unique characteristics that crosses the city. In this place, history and culture are united with the landscape and architecture. The Viceroy Andrés Hurtado de Mendoza ordered, in the middle of the 16th century, that the city of Cuenca be founded with the same name as his hometown in Spain. At present, both cities are sisters and both have a ravine with similar qualities. The Tomebamba’s Ravine has an extension of two kilometers. It begins in the Vado neighborhood and ends in the Pumapungo Museum and Archaeological Park. It is possible to walk along the Ravine in an integral way, by any of the two margins of the river. But along the margin of Paseo Tres de Noviembre, you can also travel the ravine by bicycle. Points of interest in the Tomebamba’s Ravine, for postcard photos, along the way are: the Casa de los Arcos, the descent of the Centenario Bridge, the Ordóñez family house, the old Hotel Crespo, the Remigio Crespo Museum, the CIDAP (Interamerican Center of Popular Arts), the stairs of the Parque de la Madre, the church and neighborhood of Todos Santos, the Broken Bridge and the Pumapungo Museum and Archaeological Park. Through several pedestrian and vehicle bridges, the historic city on the side of the Tomebamba River Ravine, is linked to the new city on the other side of the Tomebamba River. A relatively recent place is the Alameda 12 de Abril, a tree-lined walk that allows one to observe and photograph the Tomebamba River Ravine from a greater perspective, while walking between the Centenario Bridge and the Todos Santos Bridge. A romantic myth idealizes the Tomebamba River Ravine. There is a belief that its landscape and nature are an inspiration for poets, musicians, photographers, lovers and visitors. But without a doubt those who enjoy walking it, marvel at its hanging houses, the abundance of birds and the diversity of species of trees and plants. It also attracts the tranquility provided by the sound of the waters of the Tomebamba River. Today it is possible to stop the walk and enter one of the bars or restaurants open in the area to enjoy excellent food, a refreshing drink and beautiful panoramic views of the new city. The Barranco is a must see in Cuenca. It allows the realization of sports, artistic or outdoor activities. During the 70's and 80's of the 20th century a trade was developed in the Tomebamba River Ravine, the washerwomen. Women who went down to the riverbank to wash clothes. Another typical activity that was lost due to the over exploitation of the resource, is fishing. Decades ago, during the season, the people of the valley would come down by the thousands to the ravine to collect fish from the river waters. The Tomebamba river is the city's main water resource. It is born in the lagoons of the Cajas National Park, a source of drinking water. The Tomebamba River is a tributary of the Paute River where, downstream, in the middle of the Eastern Andes, the largest hydroelectric dam in Ecuador operates.

4.85 Km.

natural

Turi Viewpoint

The name of Turi (parish parish), comes from the indigenous word kuri, which means gold. It is located 10 minutes from the city center. It was founded on February 5, 1853 and born to ecclesiastical life on March 31 of the same year. The mountain of Turi, according to Inca history, was a place of worship of the gods. It has a panoramic and unique view that allows you to observe the city in all its splendor, this place is a must stop for domestic and foreign tourists; It is known as "the balcony of Cuenca." Turi has always been part of the city, and the city without Turi is incomplete, because the character of Cuenca is marked by the mountains that surround it. Its image is that of a viewpoint, but Turi also has other images: it is its own landscape, it has its own culture, an artisanal economy, and its own architecture of Cuenca located inside the parish. The Turi area comprises three well-marked spaces: Turi-Centro, Ghuzho and Punta Corral. The first two constitute mixed cultural areas, while the third is indigenous. How to get to the Mirador de Turi in Cuenca? To get to this place, there are several alternatives, buses, taxis or tourist transport. From the Historic Center, Turi is 5.3 kilometers away. From Calderón Park, the double-decker buses are the transport for the tour of the city and whose final destination is Turi. The parish has an element of great cultural significance, the Lord of Bethlehem Crucified with four nails, embedded in the mountain, carved in stone that recalls the romantic style of the time. This special place, which is located above the parish house, was a very important Cañari shrine. According to previous tourist experiences, your visit at 5 and 6 in the afternoon is of great satisfaction; At this time we find a lot of movement in the commercial and nightlife venues such as bars and restaurants. Among the iconic aspects of Cuenca are the New Cathedral and several church domes, the center, the lower part, the great avenues, parks and green spaces that confirm the beauty of this city, declared Cultural Heritage of Humanity. Tourists, thinkers, artists, lovers visit this place to clear their ideas and enjoy the panoramic view it offers. Source: https://cuencaecuador.com.ec/es/blog/mirador-de-turi-5-actividades-para-disfrutar https://ec.viajandox.com/cuenca/turi-A141 http://viviramiestilo.com/viajes/como-llegar-al-mirador-turis Images: https://commons.wikimedia.org/wiki/File:Cuenca_desde_el_mirador_de_Turi.jpg https://commons.wikimedia.org/wiki/File:Panor%C3%A1mica_desde_Turi_de_Cuenca_(Ecuador)_2.jpg https://commons.wikimedia.org/wiki/File:Virgen_en_Turi_Noche.JPG

5.05 Km.

Ancestral Pottery Workshop by Encalada & Sons

Interest:Culture Type : Manufacturing Industry Friendly with: children, families, seniors, disabled Relevant categories: Historic Center of Cuenca, Cultural Heritage of Humanity UNESCO - Within the Macizo del Cajas Biosphere Reserve UNESCO - Within Cuenca, National Cultural Heritage of Ecuador Hours : Monday to Sunday 08:00 - 18:00. Variable hours on holidays. The Ivan Encalada Pottery Workshop is the heritage of a pottery tradition that is located in the district of La Convención del 45, a typical place in Cuenca (Ecuador) for its craftsmen dedicated to pottery. The tradition was started in 1962 by his father José Encalada, when he opened the business that has always been located in Mariscal Lamar Street, in the family's house. José started his pottery apprenticeship in 1948. His teachers were Juan Arias and Miguel Pacheco. He needed to learn a trade to make a living. His son Ivan has become, over the years, his best student and assistant. The Encalada family home is also a centre for displaying the products and works of Ivan and Jose, utilitarian objects such as jugs, glasses, plates and pots or pieces of undeniable artistic value. It is also a museum-workshop to observe first-hand the work of the master potters on a standing lathe or to learn the elaboration of ceramics by means of the ancestral "black" technique, of millenary Cañari (a pre-Inca culture) roots. For José Encalada, the support of all his family has been important for the maintenance of the workshop. His wife Yolanda Arias and his daughters and sons have taken part in this project. Father and son are constantly concerned about the fate of the trade. That is why they have thought it convenient to teach the public the process of producing a ceramic object. On the other hand, they have had the initiative and have participated in organizational processes and in the aggregation of the potters of the neighborhood, with the foundation of the Guild of Potters and Ceramists, with the objective that this activity is not lost. Another space that gives identity to the sector is the Casa del Alfarero, managed by the Municipality of Cuenca as a Cultural Center and a place for community meetings and the people of the neighborhood. The neighborhood of The Convention of '45 was created during the course of the 19th century, as an artisan's neighborhood. It was one of the multiple dismemberments of San Sebastian, one of the 3 great parishes that Cuenca had after its foundation, besides El Sagrario and San Blas.

6.02 Km.

Typical Food at San Roque Neighborhood

San Roque, parish of Sucre. Special Area of the World Cultural Heritage of Cuenca. Neighborhood opposite El Vado. It is located on the right bank of the Tomebamba River. Old southern entrance to the city, along Loja Avenue and the ascent of the Barranco. The most important structures of San Roque are its church, dedicated to the devotion to the patron saint and the Virgin of Guadalupe, its square with the monument to General Antonio José de Sucre and the campus of the University of Cuenca. The image of the saint arrived in the 17th century brought by a priest. It was lost and reappeared in the 19th century. Thus the place acquired the name of the miraculous icon. On the bohemian side of this neighborhood, it is known by the name of San Draque. Draque is an alcoholic drink that reminds us of the pirate Drake. In the past, there were cantinas in San Roque. In the basement of their houses, drink smugglers hid the product from the authorities. At the beginning of the 20th century, it was a place full of quintas. Its nature, landscapes and proximity to the river were sources of romantic inspiration for musicians and poets. In Roberto Crespo Ordóñez's country house, the Lyre Festival was created in 1919. It is the setting for popular legends such as "The Headless Priest", "The Widow of the Lantern" and life stories such as that of the character "Paco Bermeo". Gastronomy adds another attraction to the neighbourhood. There are workshops for making Corpus Christi sweets, which are in great demand abroad, as well as cafeterias, barbecues, fast food, vegetarian and Manabitan food. There are 36 places in San Roque and Loja Avenue for traditional and typical food. There is a very special spot on Loja Avenue and Galapagos. There are at least 5 places where you can have and eat snacks among friends: coffee or chocolate with humitas or tamales, bolón de verde and empanada de verde. The most popular is called Aroma de Café.

6.25 Km.

Modern Art Municipal Museum (MMAM)

The Municipal Museum of Modern Art (MMAM), has a prestigious and solid cultural background. It is located in the Historical Center of Cuenca (Ecuador), a UNESCO World Heritage city. The Museum temporarily exhibits modern art works by contemporary national and foreign artists. The rooms of the Museum are permanent headquarters of the International Art Biennial. Its reserve holds a large pictorial collection, which has been growing for 40 years. In addition, the Museum runs a program of activities and dissemination of art, dedicated to children, youth and older adults. The Museum was inaugurated on August 1, 1981. It was Hernán Crespo's initiative to recover the house from its destruction and restore it. The history of its use over the years is curious. Bishop Miguel León ordered its construction in the 19th century, as a refuge for alcoholics or "Casa de la Temperancia” (House of Temperance). It later served as a men's prison, nursing home, children's home, work school, and health center. The architecture of the building is old, with institutional purposes. Its doorway is in the neo-Gothic style. The interior is organized around an old chapel, in the center of the Museum. Around it there are several courtyards with portals. The chapel has a mural painting by Nicolás Vivar where a large painting with the parable of the prodigal son stands out. The First International Painting Biennial of Cuenca was inaugurated in 1987 in the Museum of Modern Art. It was conducted by Eudoxia Estrella, the first director of the MMAM. The Museum has an Art Reserve. It offers the service of workshops. The Information Office displays a collection of posters of the exhibitions held and the library specializes in art.

6.49 Km.